Living With Art Collecting Contemporary in Metro New York G Neuberger Museum of Art
Current Exhibitions
Tomashi Jackson: Irksome JAMZ
2022 Roy R. Neuberger Prize Honor Exhibition
ON VIEW: April 13 – Nov 27, 2022
Light, color, sound, and texture are vehicles to explore issues of injustice and bring the power of art and policy to bear on historical engagement and critical action.
The 2022 Roy R. Neuberger Prize Award exhibition is a dynamic, immersive multimedia experience that will fill the Neuberger Museum of Art'southward Southward Gallery with floor-to-ceiling projections and soundtracks by internationally acclaimed painter, printmaker, and video artist Tomashi Jackson.
Jackson's practice investigates the relationships between the artful and the political while conceptually interweaving Josef Albers-inspired color theory with man rights concerns. She utilizes low-cal, colour, sound, and texture as vehicles to explore problems of injustice and bring the power of fine art and policy to bear upon historical appointment and critical action.
Tomashi Jackson: SLOW JAMZ is the artist's offset solo exhibition to focus primarily on her video collages. Works from five projects are on view: Evidently Cite Plain Site Plain Sight addresses the transformative poetics of informal domestic-labor economies of Blackness women in the built surroundings. The Subliminal is Now examines histories and contemporary implications of school-desegregation litigation and legislation in the Us. Interstate Love Song investigates histories and contemporary experiences of transportation-centered voting referenda and the maintenance of de facto segregation in and around Atlanta. Forever My Lady features the artist's alter ego Tommy This evening and friends, exploring generational links and contradictions between participatory commonwealth and love with a focus on Los Angeles. The Country Claim explores intertwined living histories of Black, Indigenous Shinnecock, and Latin American people on the Eastward End of Long Island, New York. Well-nigh all the videos accept soundtracks. I knit object and ii photographs will also be on view. The show will be accompanied past an exhibition catalogue.
Tomashi Jackson: Tedious JAMZ is curated past Helaine Posner, Main Curator Emerita, Neuberger Museum of Art. Generous support for the Roy R. Neuberger Prize and this exhibition has been provided by Jim Neuberger and Helen Stambler Neuberger.

The Friends at 50: Selections from the Drove
The Friends of the Neuberger Museum of Fine art are dedicated local, regional, and national supporters who help the museum abound and thrive.
The group was established on July twenty, 1972, even before the Museum opened its doors to the public in 1974. Roy R. Neuberger, our founding patron, modeled the group later a similar Friends organization that he helped found at the Whitney Museum of American Fine art in New York, where he was the first member of the Board of Directors who was not a member of the Whitney family.
The kickoff meeting of the Board of the Friends occurred on November xix, 1972 at the abode of Margot and Robert Linton, longtime supporters of the Museum. In attendance at that starting time meeting, in addition to Roy and Margot, and the Neuberger's offset managing director, Bryan Robertson, were Michael Baird, Ann Collins, Dr. Gibson Danes, Sweetie Engel, Sue Glickman, Erika Hall, Dr. Abbott Kaplan, Charles Levitt, Linda Lese, Jane Lombard, Elaine Malsin, Polly Siwek, John Straus, Lois Steckler, Barbara Weeden, and Leonard and Helen Yaseen. Information technology was there, at that meeting, that the Friends began laying out a roadmap of support for the Museum.
Today, the Friends continues to be an active, vibrant, and welcoming group of fine art lovers working together in support of a vibrant and evolving museum. Following its original mission, it supports the Museum'southward ongoing programs of educational outreach to underserved communities in the expanse, and strives toward creating a more inclusive surround in all that it and the Museum do.
The Friends at 50: Selections from the Collection is a celebration of one very of import attribute of the work of the Friends—its support of our growing collection. The exhibition is comprised of major works of art that have come into the drove of the Neuberger Museum of Art through their efforts. The objects are remarkable in their latitude and depth, and evidence aspects of the marvelous generosity of the Friends arrangement over the concluding fifty years.
My colleagues and I, both past and present, are grateful to and salute the Friends for their extraordinary partnership and "friendship."
HAPPY BIRTHDAY FRIENDS!
Tracy Fitzpatrick
Director
Neuberger Museum of Art
Generous support for The Friends at l is provided by the Roy R. Neuberger Legacy Program Endowment; ArtsWestchester, with support from the Westchester County Government; and the Triennial Adeline Herder Fund for Collage.
Upcoming Exhibitions
Nicolás De Jesús: A Mexican Artist for Global Justice
Nicolás De Jesús: A Mexican Artist for Global Justice explores the work and artistic career of contemporary Mexican artist Nicolás De Jesús. Raised in a Nahua hamlet in Guerrero, Mexico, De Jesús is well-known for his etchings on amate—a bawl newspaper used in Pre-Columbian times to paint manuscripts—featuring ironical skeleton-characters celebrating, walking the streets, crossing borders, or fighting for justice. Picking up on the calavera tradition effectually the Twenty-four hours of the Dead celebrations held every November 1st and 2nd, these works enter the register of the political satire initiated past José Guadalupe Posada (1852–1913), a adept etcher and caricaturist who portrayed with laughter and wit the abuses of the Porfirio regime and the Mexican aristocracy on the eve of the Mexican Revolution (1910–20).
De Jesús has also created an of import number of bucolic large etchings inspired by life in his native customs. His fine depiction of people joyfully dancing, eating, angling, making music, or harvesting, recalls the work of the Renaissance chief Breughel the Elder. While his art emerges from Mexican traditions, it is coupled with his international experiences in places like Paris, Jakarta, and Chicago, where he created some of his most emblematic etchings. De Jesús' empathy and dedication to address in his work questions of human rights, immigration, and environmental instability surpass the boundaries of his home country and draw attention to the pain and disorder experienced throughout the world.
The exhibition showcases some of the creative person's well-nigh iconic graphic work and powerful political street banners alongside an amazing series of recent, monumental, colorful paintings in which De Jesús addresses crises specific to the United States, including the storming of the US Capitol, the repression faced by migrants and African Americans, and the disasters of COVID 19. Roofing three decades of the artist'southward career, this exhibition offers a challenge to the conventional definition of gimmicky fine art. The exhibition is accompanied by an illustrated catalogue published in conjunction with HIRMER publishers.
Nicolás De Jesús: A Mexican Artist for Global Justice is curated past Patrice Giasson, the Alex Gordon Curator of Art of the Americas, with the aid of curatorial intern Alexandra Hunter. The exhibition is organized past the Neuberger Museum of Art, Buy Higher, SUNY, in collaboration with the Willowell Foundation. Funding has been provided past the Alex Gordon Foundation, with the support of the Alex Gordon Estate, and the Roy R. Neuberger Program Endowment.

Source: https://neuberger.org/
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